The
Reggae scene has a large following in Gambia and the reggae singers
and bands to look out for are
musicians such as Momodou Sanu Jallow
aka Silver Youth, Joloffman, Njie B , Rankin Fire, Jungle P, Jah Bless
and New Chilly. Many play what could be called Afro-Reggae and their
most influential role model is undoubtedly
Bob Marley and the Wailers.
The Reggae genre was born out of the ghettos of the island of Jamaica in the
West Indies. Since then its influence has spread to other countries
and continents around the world. In Gambia Reggae's influence can be
seen in many sections of the community. Among the youngster, reggae is
seen not just as a musical art form but as an avenue for the spreading
of the religious beliefs of Rastafarianism.
One reason for the
popularity of reggae are its political themes and its fight against
social injustice as well as calling for the general upliftment of
black people from around the world. The genre's popularity in Gambia
is not surprising bearing in mind that it has always allied itself
with the underprivileged and deprived in society and advocates
equality and justice for all. This should also be seen in the light of
the fact that the Gambia is one of the poorest countries in the world
with its fair share of ghettos. Youths can readily identify with the
slum conditions featured in video clips of everyday, downtown
Jamaican.
The African continent's association with
Rastafarianism is not just limited to the visit to Jamaica by His
Imperial Majesty Emperor Haile Selassie's l (Lij Tafari Makonnen) on
April 21, 1966 but also to the struggle for independence by various
African nations. Reggae artists, particularly Robert Nesta
Marley,
continually drummed home the need for liberation from the yolk of
colonialism.


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Culture
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Music
Modern
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Over the past decade or so reggae music has
spread among youths and other sections of Gambian society at a pretty
phenomenal rate. It can be heard in local side streets among the
Attaya drinkers, in peoples houses, restaurants and bars. Many youth
have even opted to speak with a Jamaican accent when conversing with
one of their own and are very knowledgeable about all the big names in
Reggae from the UK to the West Indies such as Buju Banton, Luciano,
Jah Cure, Sizzla, Capleton (King Shango).
In December 2005 Buju Banton (a.k.a. Gargamel) gained a lot of fame in
Gambia when, at the encouragement of his friend Lamin Manga, he
visited and performed on Christmas Eve and Christmas Day. His visit
helped to further enhance reggaes popularity among Gambians but as he
himself observed "As I walked around, I was greeted heartily by dread
and non-dread that truly embraced Rastafari." Another artist to
grace these shores was the late Lucky Dube was pleasantly surprised by how much Gambians knew about his lyrics and
the words to his
songs. As he performed in 2000 at the Independence Stadium in Bakau, the youths sang
in unison with him.
One local newspaper has asked the question of why reggae is so popular
in The Gambia? While out in the field an intrepid reporter got some of
the following responses:
One youth named Modou Secka, who was introduced to reggae as far back
as 1985 through artists like Ija Man and Dennis Brown when reggae was
still dominated by the likes of Burning Spear, Peter Tosh, Jimmy
Cliff, Culture, Rita Marley, Marcel Griffiths and others. To him, the
music makes him think about issues affecting society and the world. He
described reggae as a way of life. According to him, his contacts with
Jamaicans during his 18 years of stay in America has made him realize
how most Jamaicans strongly feel attached to Africa as most of them
consider themselves as Africans. He described The Gambia as a "Small
Jamaica."
Young
Gambian ladies have not been left out of the craze. Ajie
Fatou Njie is one such woman whose preference for reggae is always
apparent. She said the music keeps her strong in her daily toils in life.
"Every
morning" she said, "I listen to reggae before doing anything. Such
songs as 'Prison Walls' by Jah Cure really serve as inspiration to me.
Without reggae I don’t really know what my life would have turned
into."
To her, reggae is a means through which black people speak against an
exploitative world system. She quoted Marcus Garvey’s popular saying
that "Ethiopia will stretch forth its hands to God and princes and
princesses shall come out of Africa" for her belief.
Reggae's contribution to Africa's immense social and political
transformation has in no way been insignificant. It has inspired
Africa's youth who see joy in associating with a
phenomenon that creates an outlet for social and political
consciousness.

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